主标题
思乡曲·吕思清
Nostalgia. Siqing Lu
副标题
琴声染鬓 弦意暖心 半生客愁 凝成这一刻回眸
Chinese Songs of Home and Longing
封底广告语
三百年倾城名琴
八千里沧桑云月
一句客途中质朴乡音
将渐行渐远的记忆牵回
沁人心扉 怀想 沉醉 凝望
不干胶广告语
蜚声国际小提琴大师
携经典中国民歌浓情回归
17世纪意大利名琴身价倾城
亚洲顶级模拟大棚金话筒完美录制
德国后期制作母版制造
瑞鸣音乐“很中国”激情呈现
Back cover advertisement language
The tender sound of the violin calls from afar… a deep resonance on the piano echoes within your soul… And in your heart, 12 colorful Chinese folk songs, express the feeling of longing to return home.
A4 advertisement language
Internationally acclaimed violinist Siqing Lu takes you on a musical journey of thousands of miles across China, in a program of 12 of the most beautiful folk songs, performed on a priceless Stradavri Violin. The sounds of a faraway home will be imprinted on your heart and call you back to a time and place of beauty and simplicity.
Self-adhesive advertising words
One of the World’s Most Celebrated Young Violinists…
A treasury of China’s Most Beautiful Folk Songs…
A Priceless 17th Century Violin…
Recorded in the most ADVANCED studio in Asia
Engineered by Master Sound Technician Li Xiaopei
Post-Production and Mastering done in State-of-the Art German studios
A global collaboration from Rhymoi Music – “The Music of China”
前言
思乡，何必成愁。
那一触之间的心动，如同指尖抚上一束柔韧的琴弦，倏尔放飞了白鸽一样漫天飘舞的思绪，那些藏在岁月如梭里的故乡印象，突然毫无预言地耀现于日光之下，眩目得有点迷茫。
千百帧回忆的底片，同时唿啦啦地纷乱翻开，鲜活显影，带着气味和笑容，带着心跳的温度。冬天手指画在窗户上的小脚印……前排课桌上她翻开的书本……火车开动时追奔挥别的身影……被热泪沾湿的第一封家书……这一切的一切，注脚都写着青春，写着曾经，写着一个令人永远不能放下的名字：故乡。
半生沧桑，八千里云月。当步履踏遍千山万水，时光写满阅历和收获，何妨暂且放慢匆匆的脚步，借一段琴声，映画记忆深处的温暖印象？这一瞬间对于故国故乡的深深回望，这一瞬间穿越时光重燃的美好记忆，是如此令人眷恋沉醉，如饮甘泉。
这思念故土的悱恻琴声，必是怀乡情重的游子才能刻画得分外动人。瑞鸣音乐制作人叶云川与吕思清继上一张个人演奏专辑《钟爱一生》问世五年之后，再度合作，推出这张写满思乡深情的诚挚之作，也可视为多年游子心怀的沉淀和归集。
吕思清这位名至实归的“乐坛神童”，被国际权威音乐杂志《The Strad》誉为“难得一见的天才”。他曾被邓小平向外宾自豪地介绍为“我们有个七岁的娃娃，已经能拉外国的小提琴曲”，八岁时成为中央音乐学院有史以来年龄最小的学生，十一岁被大师梅纽因选到英国深造，十七岁成为夺得帕格尼尼小提琴大赛金奖殊荣的东方第一人。
然而这位天才的小提琴之路，注定是一条远离故土亲人、独自求索的道路；他心中的思乡浓情，注定会格外刻骨缠绵感人至深。细细聆听这张专辑，我们除了惊异于吕思清那不可思议的高超技法之外，更为琴韵之中无法挥去的深切乡思所动容。——也许，只有揣着长年以来对故土亲人的深绵怀念，才能真正理解和演绎“思乡”二字。
这张用小提琴演绎的源自中国民歌民间曲调作曲改编的专辑，音乐风格横跨华夏大地辽阔版图，可谓难得一见的器乐珍品，以纯正浓郁的中国情怀打动人心。十二首著名中国民谣，北起新疆南至台湾，从热烈奔放的大漠阳光，到质朴真挚的西北风土，再到清澈秀丽的海岛雨丝，音乐本身就浸满了深厚的地域音乐色彩，在小提琴和钢琴的动情演绎下更富感染力。
一支诞生七十多年来催无数游子泫然泪下的《思乡曲》，在吕思清的弓下呼应出半个多世纪前的马思聪大师的悲悯心胸；
一首众口传唱、写尽恒春人心曲的《思想起》，在极尽高难的大段璀璨泛音之中，云淡风清地带出又沧桑又赤诚的奇异听感；
《天黑黑》趣味盎然的拨弦问答，《在银色的月光下》足以震颤夜空的极致优美气息……
《阳光照耀在塔什库尔干》热情炽烈的炫技弓法，《丰收渔歌》如粼粼波光般美不胜收的大段华彩……
每一首不同气质的经典乐曲，都在这小提琴与钢琴的浓情对答中，在吕思清令人叹服的琴技中，焕发质朴却独特迷人的馥郁芳华。
这张浓情演梦的唯美专辑，从策划创编到演奏录音，直至后期制作和整体包装，莫不精益求精无计工本，以中、德、美、日跨国顶尖音乐力量，精制一席抚慰耳朵与心灵的声音飨宴：
吕思清此次使用价值连城的三百年斯特拉迪瓦里名琴演奏，三个世纪前的意大利治琴巨匠的细微灵感通过琴弦的颤动，真切而神奇地复制传递出来。同样享誉国际的旅美华裔钢琴演奏家盛原，则用名贵的斯坦威九尺钢琴动情唱和。
中央电视台480平米大录音棚中，录音大师李小沛在国内唯一的模拟调音台Neve88R上，用全球限量一百对的金话筒，完美地同期录制下这饱含灵感与激情的动人演奏。德国日本严谨而精准地完成全程后期制作和母版制造，令琴声中的呼吸和心跳都仿佛纤毫毕现，在聆听的瞬间细腻而丰润地包裹身心。
思乡，是回忆间蓦然牵动心扉的甜蜜念想，是可以片刻遁逃躲避现实的精神桃花源。梦想在前方，故乡在身后。我们因为拥有而幸福，又因为守望而陶醉。在回忆的臆想里，宁可让故乡的印象美到不真实，就仿佛宁可相信母亲的容颜永远不会苍老，宁可相信骊歌不会唱响春花不会凋零，相信所有的美好还都在彼岸等待着我们归去。
每个灵魂都是一个漂泊无定的游子。
每颗心里都有一个回不去的故乡。
每个人梦中都有一个想投入的怀抱。
Introduction:
Throughout the 20th century, two western musical instruments came to dominate China’s often turbulent cultural landscape: the Piano and the Violin. The violin and its antecedents had been known in China since the 17th century, brought there by the Jesuit missionaries. However, along with the other western “novelties” provided by the priests, these instruments were never heard outside the Forbidden City. It was not until the mid-19th century, along with the treaty ports and concession territories that violins were heard publicly and much later before a Chinese would even play the violin. The first to do so was Tan Shuzhen, who was the first Chinese recruited by conductor Mario Paci to join the orchestra in colonial Shanghai. With Tan Shuzhen, the glass ceiling was shattered and the violin entered Chinese musical culture for all time. Prior to the introduction of the western violin, China has its own tradition of bowed string instruments in the form of the erhu family. The erhu is a two-string knee fiddle and exists in numerous regional variants. Owing to their similar ranges, the Erhu and the Violin were often regarded as interchangeable as a solo instrument and many compositions exist in parallel editions for both instruments. Even the famous “Butterfly Lovers” Concerto FIRST existed as an Erhu Concerto!
Our current program features a selection of some of the most popular Chinese violin encores. Each piece was been inspired by the rich musical traditions of China’s ethnic minorities, whether as direct transcriptions (the four Taiwanese folk songs arranged by Liu Zhuang and Under the Silver Moonlight), or through quoting actual folk songs (Spring Celebration, Grassland Madrigal, Fisherman's Festival Song) or newly composed based on folk materials (Song of Nostalgia, Sunlight over Tashikugan, In a Faraway Land, Why the Flowers are so Red), these pieces provide tantalizing glimpses into China’s colorful musical tapestry.
“Nostalgia” marks the Rhymoi Music debut of internationally-acclaimed young violinist, Siqing. Lu Hailed as a prodigy from the age of seven, Siqing Lu has gone on to achieve tremendous critical success. From his being personally selected to apprentice with the great Yehudi Menuhin to his becoming the first Chinese violinist to be sponsored by the Stradivari Society of Chicago, Siqing Lu has commanded global recognition wherever he performs. Throughout his career, Siqing Lu has enjoyed a long identification with the violins crafted by the Master of Cremona – Antonio Stradivari. And for his Rhymoi debut, he has chosen to perform on a priceless Stradivari instrument graciously loaned to him by the Chi-Mei Museum of Taiwan.
Both the ageless beauty of Stradivari’s craftsmanship and Siqing Lu impeccable performances have been masterfully engineered by China’s Wizard of Sound, Li Xiaopei at the state-of-the-art facilities of CCTV’s 480 Sq. Meter Recording Studio.
The result? A perfect symbiosis of East and West!
The management and staff of Rhymoi Music hope that this journey into the riches of China’s colorful violin music will transport you to far away lands, and even provide a relaxing soundtrack for your own dreams and nostalgia.
曲目：
1. 在银色的月光下
改编：黎英海 编曲：杨林
“在那金色的沙滩上洒遍银白的月光，寻找往事踪影往事踪影迷茫，寻找往事踪影往事踪影迷茫。
往事踪影迷茫有如幻梦一样，你在何处躲藏背弃我的姑娘，你在何处躲藏背弃我的姑娘……”
清澈凉洌的泛音，如水般倾泻在夜空，梦境亦真亦幻，唯有钢琴脉脉点缀的繁星如眸，提琴的揉弦呼吸细腻如语，带着说不清甜美还是惆怅的寂静怀想，质朴而细腻地纯美绽放。
1.Under the Silver Moonlight
Li Yinghai / arranged by Yang Lin
The melody for “Under the Silver Moonlight” was first transcribed by the great folk singer and musical archivist, Wang Luobin when he first heard it sung by a Tatar tribesman while he was stationed on the Xinjiang frontier in 1949. While sadly unknown in the West, Wang Luobing was China’s Woody Guthrie and Alan Lomax and spent most of his adult life collecting, compiling and composing folk songs. The sweet, sentimental melody of “Under the Moonlight” perfectly conveys the nocturnal scene, where a young man sings of his girl friend, who is many miles away from his lonely station. Originally considered a Tatar folk song, further research by Wang Luobin revealed that the song was originally of Russian origin.
2. 天黑黑
改编：刘庄
“天黑黑要落雨，阿公举锄要掘芋，掘呀掘掘仔掘，掘着一尾旋留鼓，依呀夏都真正趣味……
阿公要煮咸，阿妈要煮淡，阿公要煮咸，阿妈要煮淡。二个相打弄鼓锅，弄鼓锅弄鼓锅。依呀夏都乡当差枪，娃哈哈娃哈哈，娃哈哈！”
据说台湾以“天黑黑欲落雨”为首句的民谣分布极广，北中南部都有。而这首童谣发源于终年雨水的台湾北部金瓜石一带，歌词大意为阿公阿妈雨前掘出泥鳅，为了煮咸还是煮淡吵到连锅都打破，乡味浓郁。
黑白琴键的活泼跃动之间，提琴拨弦活画出十足的童趣，令人莞尔。明快开朗的旋律里，湿润清新的气息仿佛扑面而来；饶舌逗趣的乐句中，温情俚俗的家庭乐景生动如现。
3. Dark Sky
arranged by Liu Zhuang
“Dark Sky” is the first of four arrangements of Taiwanese folk songs arranged by Liu Zhuang. She is a prolific composer of instrumental music, best known for her “Romance for Cello” and her collaboration with composers Yin Chengzong, Sheng Lihong, and Chu Wanghua on the “Yellow River Concerto” for piano and orchestra. The music describes a humorous scene of an elderly couple’s squabble over dinner, unaware of the dark storm clouds gathering outside. Both the sounds of the patter of the rain and the old couple’s banter are cleverly represented in this little scherzo.
4. 阳光照耀在塔什库尔干
作曲：陈刚
乐曲是陈钢于1976年根据吐尔逊卡的尔创作的歌曲《美丽的塔什库尔干》、刘富荣改编的笛子曲《帕米尔的冬天》以及塔吉克族民间音乐素材改编的小提琴曲，描绘了辽阔美丽的草原风光和塔吉克人歌舞欢腾的热烈场面。
乐曲缭绕不去的西域风情，在小提琴骄傲不羁的表现中，热情如火。热烈奔放的华彩乐段，更以令人眩目的复杂弓法，酣畅尽致地画尽牧民们纵情高歌热烈欢舞的沸腾场景。
3. Sunlight over Tashikugan
Chen Gang
Composer Chen Gang was born in Shanghai in 1935, and is best known as the co-composer (together with He Zhanhao) of the famous “Butterfly Lovers” violin concerto. Chen Gang has written many works for violin, often based on ethnic melodies. “Sunlight over Tashikugan” is a breezy little tone poem based melodies of the Tajik nationality of western China. The music vividly captures the spirit of the energetic dancing during a village festival and provides a workout for both the violinist and the pianist. The work was premiered by violinist Pan Yinlin in 1976 and quickly became a favorite encore on the programs of many violinists.
5. 雨夜花
作曲∶邓雨贤 改编：刘庄
“雨夜花雨夜花，受风雨吹落地，无人看见每日怨嗟，花谢落土不再回……
雨水滴，雨水滴，引阮入受难池。怎样使阮，离叶离枝，永远无人可看见。”
这首闽南语歌谣，据说最初是一首创作在1933年的儿童歌曲《春天》，1934年填词改编为《雨夜花》，歌词哀婉动人至深。歌曲风靡至今，改编传唱无数，成为台语歌谣的经典之作。
明丽如水的弦语婉转诉来，好似一朵无染无愁的花朵，纯净地绽放于钢琴的静谧雨夜之中。中段的变奏晓白动人如对话，钢琴似偶遇人随缘探问，勾连出提琴悱恻思情，心波涌起。
4. Flowers in the Rainy Night
Melody: Deng Yuxian arranged by Liu Zhuang
"Flowers in the rainy night", originally composed by Deng Yuxian in 1933 is one of the most famous Taiwanese classical songs. The lyrics tell the tragic story of a simple country girl who falls in love with a womanizing city boy. When the boy finally abandons her, she becomes despondent and is compared to a “withered flower in the rain.” On the surface, the song appears to be a maudlin pot-boiler, similar to many songs of the era, but in fact the lyrics are a code for the political realities of the Taiwanese people under Japanese occupation. Liu Zhuang’s straightforward arrangement is beautifully evocative of the girl’s world-weary spirit , while the piano provides a gently rippling accompaniment.
6. 思想起
改编：刘庄
“思想起日头出来啊满天红，枋寮过去啊是枫港唉唷喂，希望阿哥来痛疼唉唷喂，唉唷痛疼我小妹是做工人唉唷喂。
思想起恒春过了是车城，花言巧语不爱听是唉唷喂，阿哥讲话若有影唉唷喂，唉唷刀枪作路也敢走唉唷喂……”
《思想起》又名“思想枝”、 “思双居”，是最为知名的台湾恒春民谣。据说它本为恒春人在伐木耕作或是渔猎间暇随意哼唱的“心曲”，内容或为写景或为歌颂，或为感慨或为思乡，一句“思啊-思-想-起”发语，其后便是随兴哼出的调子和歌词，质朴纯真。
那令人惊讶的小提琴泛音，纯净到屏息，仿佛一缕无心游动的浮云，倦了，却永远找不到休憩的土地。它的脚下，钢琴就是那墨色无边的夜之海峡，包含着深不可言的隐忍乡愁。
5. Recalling the Past
arranged by Liu Zhuang
Beginning with a series of gently rocking open fifths in the piano, Liu Zhuang achieves an eerie effect using only violin harmonics in her arrangement of the Taiwanese folksong “Recalling the Past.” The lyrics for this song are once again about separation, but this time the narrator is a worker or a fisherman and his hopes that his family will have enough to eat while he is away. The effect is both tender and unsettling – is our singer whistling idly to pass a lonely evening or is there something more ghostly at work here?
7. 淡水暮色
作曲：洪一峰 改编：刘庄
“日头将欲沉落西，水面染五彩，男女老幼在等待，渔船倒返来。桃色楼窗门半开，琴声诉悲哀。啊——幽怨的心情无人知……”
据说，叶俊麟曾随一支电影外景队在淡水渡码头附近取景，在日暮西沉的美丽夕照中，他看见一位烟花女子从窗口探出头低声吟唱，嗟叹码头熙攘人群都欢喜团圆，自己却孤身飘零。感念之下，《淡水暮色》的歌词须臾写就，两三天后被洪一峰谱上旋律，从此传世。
那富于歌咏美感的脉脉琴韵，描绘出淡江码头的金色夕照，层层浸染了艳美绝伦的自然意象。欲言又止的回环曲意，映照出的更是悲喜人生的漫长旅程中，那值得片刻失神忘我的沉醉时光。
6. Sunset at Danshui
Melody: Hong Yifeng arranged by Liu Zhuang
“Sunset at Danshui” is another popular Taiwanese folksong that has been arranged many times for many different instruments. The original lyrics describe the scene of the fishing boats returning in the harbor in the brilliant red glow of sunset in the harbor of Danshui, a city in the north of Taiwan. Liu Zhuang’s simple arrangement at first suggests a pentatonic version of the Massenet’s “Meditation” from "Thais" but as with many folk songs, there is another level of meaning to be found in the lyrics. The song climaxes with the question “what sadness can be hidden when seeing such a beautiful sight?”
8. 思乡曲
作曲：马思聪
“城墙上跑马，掉不回头；思想起我的故乡，我就眼泪儿抖……”
《思乡曲》原先是马思聪写的大型管弦乐曲《绥远组曲》（又称《内蒙组曲》）中的第二乐章，也是最优美感人的一个乐章，创作于1937年。曲子以仅八个小节的内蒙民歌《城墙上跑马》作为主题，表现游子心怀故土却无法归来的惆怅。
小提琴将不能已于言的心底恸诉，寄予在柔和而凄然的乐句中；钢琴仿佛故乡水云，始终温暖地熨成回忆的底色。那句极高音的泛音，仿佛一个挥别的手势，苍凉地凝住无尽乡愁。
7. Song of Nostalgia
Ma Sicong
There are many brilliant Chinese composers that remain to be discovered by the West, but Ma Sicong must rank among the most important and most gifted. Ma lived during an extraordinary time in Chinese history. Born the year of the founding of the Republic of China, Ma enjoyed the patronage of both Chiang Kai-shek and Zhou Enlai. Ma Sicong performed in many villages and military encampments during the war years and was responsible for the popularization of the violin in China. He was appointed the first President of the Central Conservatory of Music in Beijing immediately after the founding of the People’s Republic of China in 1949 but later was forced to flee China in 1967 during the Cultural Revolution. The music of Ma Sicong frequently draws upon folk songs but freely developed into an appealing, late romantic/modern idiom. The piece, “Song of Nostalgia” comes from the Inner Mongolia Suite Op.9 (1937) for violin and piano.
In this short, lyrical movement, Ma Sicong uses the melodic contours of the Mongolian “Long Song”, (Urtyn duu) but expanded and accompanied by delicately shifting piano figurations. A bright middle section in double-stops provides contrast before a return to the opening melody, this time appearing an octave higher, bringing the piece to an introspective close.
9. 新春乐
作曲：茅沅
《新春乐》是茅沅创作于1958年的小提琴独奏曲，是中小学提琴教学的必选作品。乐曲以河南曲剧的音调为素材，又吸取江南民间音乐的明朗元素，巧妙地用西洋乐器小提琴，传神地描绘出中国新春的喜悦气氛。
正如开门见喜的新春鞭炮，小提琴以灵巧的跳弓等技法，乐曲伊始便奏出欢快喜悦的主题；中段乐曲转调，小提琴委婉抒情优美如歌；稍作停留又重现欢愉主题，鸟语花香如沐春风。
8. Spring Celebration
Mao Yuan
Composer Mao Yuan was originally trained as a construction engineer but turned to music following graduation from Tsinghua University in 1950. “Spring Celebration” was composed in 1952 and immediately became a favorite encore among violinists, including Isaac Stern who performed the piece during a command performance at the White House for visiting Chinese Premiere Deng Xiaoping. Based on a Hebei folk song, the violin writing clearly shows the influence of traditional Chinese music for the erhu (the two-string fiddle) and conveys the high-spirits of a Chinese New Year’s celebration.
10. 牧歌
改编：沙汉昆
“蓝蓝的天空上飘着白云，白云的下面跑着雪白的羊群。无边的草原是我们的故乡，白云和青天是我们的风筝，朝霞迎接我自由地歌唱，生活是这样幸福欢畅……”
1953年，还是上海音乐学院学生的沙汉昆，根据内蒙呼伦贝尔盟的长调民歌《乌和日图和灰腾》的素材创作了这首小提琴曲。这首洋溢着草原纯美风致的民歌，被多次改编成各种音乐作品，瞿希贤还曾把它改编成无伴奏合唱曲。
这是怎样一种无法抵挡的感动，在聆听千遍后依然不倦。当琴键轻击出第一个静谧的音符，当柔弦吟咏出低回婉转的旋律，那极致的优美就这样毫无雕饰地浮现上心头。
9. Grassland Madrigal
Sha Hankun
“Grassland Madrigal” was composed in 1953 when the composer, Sha Hankun was still a student at the Central Conservatory of Music in Beijing. As was the case with Mao Yuen’s “Spring Celebration”, “Grassland Madrigal became an immediate favorite with violinists throughout China. The musical inspiration for the piece comes from a folk song from Inner Mongolia. The lyrics of the song speak poetically of “White clouds are floating in the blue sky. Under the clouds there is a flock of snow-white sheep.” The violin sings a tender, pentatonic melody, tinged with nostalgia while the piano provides a gentle accompaniment of broken chords.
11. 花儿为什么这样红
作曲：雷振邦 编曲：韩铁华
“花儿为什么这样红为什么这样红，哎红得好像红得好像燃烧的火，它象征着纯洁的友谊和爱情。
花儿为什么这样鲜为什么这样鲜，哎鲜得使人鲜得使人不忍离去，它是用了青春的血液来浇灌……”
《花儿为什么这样红》是影片《冰山上的来客》的插曲。雷振邦在改编创作中，借鉴了古老的塔吉克族民间舞曲《古丽碧塔》，民歌讲述的塔吉克青年与喀布尔城公主相爱被阻挠、只能永远流浪歌唱的凄美故事，与影片中的爱情主线对比应和，令人感怀。
乐曲起始处的深沉顿弓，带出犹疑又热望的悱恻引子。大段下弓的优美和弦，将熟稔的旋律演绎得回肠荡气。中后段明亮的小快板，以浓郁的塔吉克音乐风情，映出回忆深处的幸福时光。
10. Why the Flowers are so Red
Lei Zhenbang arranged by Han Tiehua
For more than 40 years, the film “Guest on an Iceberg” and its show-stopping song “Why the Flowers are so Red?” has enjoyed continuous popularity with Chinese audiences. Scored by the talented and prolific composer Lei Zhenbang, the song captures the flavor of its exotic, frontier locale, drawing upon the melodies and rhythms of the Tajik nationality of Xinjiang in western China. The music begins with an impassioned violin soliloquy, from which a sinuous cantilena gradually emerges. The music picks up speed, becoming a vigorous “gypsy”-sounding dance, and ends with the violin soaring high above the rippling piano figurations.
12. 在那遥远的地方
改编：王洛宾 编曲：杨宝智
“在那遥远的地方，有位好姑娘，她那明媚动人的眼睛，好像晚上明媚的月亮。
……
在那遥远的地方，有位好姑娘，人们经过她的账房，都要回头留恋地张望。”
这首被评为“20世纪华人音乐经典作品”的歌谣，从1939年问世起便广为传唱，连多明戈、卡雷拉斯等世界著名歌唱家都将它作为保留曲目，唱遍世界各地。《在那遥远的地方》记载着整整七十年前“西部歌王”王洛宾在青海湖畔一段年轻的往事，更萦怀着几代中国人心底青春爱情的珍贵记忆。
小提琴以一个歌者的守望身影，抒情咏唱着关于一位美丽姑娘的传说，咏唱着一段未能圆满的痴心恋慕，柔波暗涌，百转千回。琴声仿佛岁月的手指，轻抚过渐行渐远的记忆中那些动人细节。
11. In a Faraway Land
Wang Luobin arranged by Yang Baozhi
Most sources outside of China identify “In a Faraway Land” as a “folk song”, but it is in fact, one of Wang Luobin’s most lovely original compositions. The lyrics once again, deal with separation – this time, a young man sings of his yearning for the lovely shepherdess he left back in Qinghai. The song has been enormously popular since it first appeared in 1939 and has been recorded many times, including a heartfelt rendition by the American folk singer John Denver and more recently, by the Chinese super group, 12 Girls Band. Wang Luobin was a prolific composer and his works include seven operas and nearly 1,000 songs. In July 1994, Wang Luobin was awarded “The Prize for Special
Contribution to Cultural Communication between the East and the West” by Unesco for his outstanding contribution to the spreading of Chinese music to the outside world.
For more information about the life and works of Wang Luobin, check out the tribute page at: http://www.wangluobin.org/ (mostly in Chinese but there are some English-language links, as well).
13. 丰收渔歌
作曲：李自立
这首著名的小提琴独奏曲创作于1972年春天。据作者自述，乐曲是他在广东汕尾渔区体验生活、和渔民们一起经历八级风浪终于满载而归后的有感而发。乐曲吸收了汕尾渔歌的元素，描写渔民出海捕鱼丰收归来的喜悦。
钢琴的引子如海面上碎金般撒落的阳光，引出小提琴奏响的南海渔歌主题，辽阔舒畅的旋律好似宽广的大海怀抱，如歌的行板层层推动着旋律中那翻涌激荡的波涛。大段华彩动人吟唱，由衷地赞叹抒情。
12. Fisherman's Festival Song
Li Zili（piano accompaniment by Hong Bici)
Li Zili shares with Cheng Gang and Ma Sicong the distinction of being one of the most popular composers of Chinese violin music. “Fisherman’s Festival Song” was composed in 1973, based on a folk song popular among the fishing communities in the coastal area of the Shanwei region of Guangdong province. The music depicts a happy scene of returning fishermen and their successful day’s harvest from the sea.
A cadenza-like introduction for piano and violin leads directly into the main melody and the gently rocking accompaniment establishes the nautical setting. The texture suddenly changes and a vigorous folk dance full of rapid figurations and double-stopping on the violin begins. The dance reaches its climax as the opening melody returns in a passionate restatement, the piano providing splashing waves of arpeggios before ending quietly on a violin harmonic.
吕思清艺术简历：
著名旅美小提琴家吕思清是当今国际乐坛最活跃的杰出中国小提琴家之一。作为第一位夺得意大利帕格尼尼小提琴大赛金奖的东方人，他那美妙绝伦的琴声早已遍布维也纳金色大厅、纽约林肯艺术中心以及中国国家大剧院等世界著名的演出场所。他以激情洋溢的演奏征服了全世界近40个国家及地区的观众，被西方媒体盛赞为“一个伟大的天才﹐一个无与伦比的小提琴家”。
与吕思清合作过的国际知名乐团包括英国皇家爱乐乐团、美国旧金山交响乐团、俄罗斯国家交响乐团等。他还多次受邀以客座演奏家身份参加美国、德国、北京等多个重大的国际音乐节活动。
吕思清的琴声遍及中国的大江南北。中国国家主席胡锦涛曾多次参加过吕思清的音乐会。中国各大乐团也曾多次邀请他同台演出。同时，还被邀请参加中央电视台“春节晚会”、“庆祝香港回归祖国”等大型艺术活动。
为表彰吕思清在国际乐坛的杰出表现，美国旧金山市及新泽西州分别授予吕思清旧金山市荣誉证书及新泽西州杰出亚裔艺术成就奖。德国万宝龙艺术基金会于2002年9月授予吕思清万宝龙卓越艺术大奖。
曾录制过多张专辑，使用六把意大利名琴演奏的“维瓦尔弟 [四季]”则被权威乐评家称为“演绎与录音俱佳的优秀制作”。还曾录制过四版“梁祝”小提琴协奏曲。他的演奏经常在包括美国《纽约时报》WQXR音乐台等全球上百个电视台和电台中播出。
四岁学习小提琴，八岁被中央音乐学院附小破格录取，师从王振山教授。11岁被世界著名小提琴家耶胡迪·梅纽因选到英国他创办的天才音乐学校学习，19岁赴纽约朱丽亚音乐学院深造，师从世界著名小提琴教育家德罗希.迪蕾女士及Hyo Kang先生。吕思清目前使用的是一把17世纪末意大利制琴大师斯特拉迪瓦里的小提琴，是由台湾天禧美术馆慷慨提供。
Siqing Lu: Violinist
Siqing Lu was born in 1969 in Qingdao, China and began violin study at four. He was accepted by the Central Conservatory of Music at the age of eight as a special student--the youngest student ever to attend the famed institution. At the age of 11, Siqing was selected by Yehudi Menuhin to study at his school in London. In 1984 he returned to China for advanced studies at the Conservatory in Beijing, and, five years later, he studied with Dorothy DeLay and Hyo Kang at the Juilliard School.
Siqing Lu was the first Chinese violinist to win the first prize at the prestigious Paganini International Violin Competition in Italy in 1987. He has performed in more than thirty countries throughout North and South America, Europe, Asia and has appeared as featured soloist with many leading orchestras and music festivals.
Siqing Lu was also the first Chinese violinist to be sponsored by the Stradivari Society of Chicago, and was chosen as featured soloist in the 1999 “Music under the Moonlight” concert in Beijing, performing on five magnificent Stradivari, Guarneri and Amati violins.
Mr. Lu uses a 17th century Stradivari violin, which is generously loaned to him by the Chi-Mei Museum of Taiwan.
名琴简介：
斯特拉迪瓦里
意大利提琴制作师据称1644年生于克雷莫纳，14岁从N.阿马蒂学艺，22岁制成第1把完美的小提琴，琴上标名“斯特拉迪瓦柳斯”（Stradivarius,是他姓氏的拉丁化变体，后世简称“斯特拉迪”），1690年创立新琴式，增加琴身长度，上部略小，下部略宽，腰部弯度稍深，琴面弧度较平；琴音丰满厚实，传送力强，被称为“长型琴”。1700～1725年是他制琴的黄金时代，传世名琴主要出于此时，并成为后世仿作的楷模。
斯特拉迪瓦里一生从事制琴工艺近80年，成品有1100余把(小提琴约950把，中提琴、大提琴约150把)。传至今日有线索可查者约500～800把。各琴皆有别号，今日价值连城。
一把好的斯氏琴能给予你无尽的表现力，你可以随心所欲地在琴上表现出你对色彩、声音和感情方面的细微处理，可以完美地诠释演奏家的情感，同时它的声音也很能抓住听者的心。
斯氏琴在现代被小提琴家尊崇的程度是惊人的。帕尔曼、梅纽因、马友友、慕特，这些世界著名的提琴家们用的基本都是斯氏琴；海菲兹和斯特恩偏好于瓜纳里，即使这样，海菲兹和斯特恩同时也拥有斯氏琴。
About Antonio Stradivari
Antonio Stradivari: (1644 – December 18, 1737) was an Italian luthier, a crafter of stringed instruments such as violins, cellos, guitars and harps. Today Stradivari is generally considered the most significant artisan in this field. The Latinized form of his surname, Stradivarius, as well as the colloquial, "Strad", is often used to refer to his instruments.
In 1680 Stradivari set up for himself in the Piazza San Domenico, and his fame as a instrument-maker was soon established. He now began to show his originality, and to make alterations in Amati's model. His instruments are recognized by their inscription in Latin: Antonius Stradivarius Cremonensis Faciebat Anno [date] (Antonio Stradivari, Cremona, made in the year ...). It is generally acknowledged that his finest instruments were manufactured from 1698 to 1725 (peaking around 1715), exceeding in quality those manufactured between 1725 and 1730.
Antonio Stradivari died in Cremona, Italy on December 18, 1737 and is buried in the Basilica of San Domenico in Cremona. His instruments are regarded as amongst the finest stringed instruments ever created, are highly prized, and still played by professionals today. Only one other maker, Joseph Guarneri del Gesu, commands the same respect among violin soloists.
录音师：李小沛
录音师 毕业于北京电影学院录音系，中央电视台一级录音师。曾多次担任中央电视台春节联欢晚会及各种大型节目的总音响设计及音乐录音师，并担任中国音乐各项重要比赛评委，为多部电影及电视剧录制音乐。代表作：包括电影《没事偷着乐》、《一个都不能少》等，多次荣获“星光奖”优秀录音单项奖及中国音乐电视最佳录音单项奖，是首届“中国百佳电视艺术工作者”称号获得者。李小沛还是国内录制发烧唱片最多的录音师，先后录制《夜来香》、《响宴》、《三国》、《伶歌》、《粉墨是梦》等大量深受音乐发烧友喜爱的作品，部分作品更被海外著名音响品牌收录入试机天碟，是唯一一位进入TAS榜的中国录音师。
About the Sound Engineer:
Li Xiaopei, graduated from the recording engineering department of the Beijing Film Institute, and is presently the chief sound engineer of CCTV. Over the years Li Xiaopei has worked as principle sound technician and engineer for the widely watched CCTV “Spring Festival” broadcasts as well as principle sound designer for many large scale television productions. In addition to his work for CCTV, Li Xiaopei is much in demand as commentator, guest lecturer and technical advisor of many broadcast concerts, movies and television shows. Li Xiaopei’s production credits include the films Stealing Happiness, Not One Less and others.
Throughout his career, Li has received numerous awards including “Best Recording” in the Chinese Star Awards, China Music TV Best Recording Award (Engineering) and the Chinese Television Artists Association award for Best Sound Engineering. Li Xiaopei’s studio work includes many top-seeling recordings, including Ye Lai Xiang, Xiang Yan, The First Drum of China, Rhythmize Heartstring , Dream of An Opera and several have been selected by high-end sound system manufactures as demonstration discs for the equipment. Li Xiaopei is the first sound engineer from China to ever appear on “The Absolute Sound” audiophile recording charts.
制作人简介:叶云川
音乐制作人, 美国格莱美协会会员 , 创立中国声誉卓著的音乐品牌“瑞鸣音乐”，并任制作人，中国金唱片奖最佳音乐人特别奖获得者。从事音乐创作、制作多年，获海内外重要音乐媒体高度评价，部分作品被海外唱片公司收录出版，所制作的音乐作品在高端音乐市场得到较大认同，并远销海外，销售成绩斐然。担任制作人的唱片及音乐作品曾多次获“美国独立音乐大奖”“中国金唱片奖”“中华优秀出版奖”“华语音乐传媒大奖”等百余个奖项，在中国城市广播联盟评选“中国十大发烧唱片”中数次入选，作品多次入选“CD圣经”等海内外专业评比。因多年与国际音乐制作及出版行业的密切合作经历，音乐创作理念及制作手段具有国际化的开阔视角。
音乐创作思路坚持独特创新，风格多样，追求质量，积极进取，注重作品文化性艺术性，在行业中具有鲜明特点。倾力于挖掘发扬中国传统文化与音乐的结合，擅长用世界音乐语言及方式表现中国音乐。对中国传统文化及民族音乐有着深厚的感情，并立志成为中国民族音乐与世界文化交流的传递者。
About the Producer:
Ye Yunchuan，Producer, composer, arranger, graphic designer, Grammy member, and the founder of one of China’s most prestigious audiophile recording labels, Rhymoi Music, Ye Yunchuan is further distinguished as the first Full Voting Member of the American Grammy Awards (The National Academy for Recording Arts and Science – NARAS) representing the Chinese music industry. He is, without any question, one of the rising stars in China’s growing music industry. Prior to his current activities, Ye established an international reputation, as a composer and producer, being awarded several American Independent Music Awards, Chinese Golden Album Awards, numerous rave reviews in CD Bible (China) in addition to being included on China City Radio Association’s “Ten Hottest Albums” roundup. Years of cooperation with international music production and publication circles has provided him with a truly global perspective. As founder of his own recording label, Rhymoi Music, he is committed to establishing new standards of excellence for recorded music in China.
Rhymoi Music recordings are immediately identifiable - with their innovative approaches to programming, world-class musical and artistic standards, beauty of presentation and packaging, cultural relevance, and their conscious desire to introduce the treasures of Chinese music to an international audience - Rhymoi Music is without peer. With his deep commitment to the traditions and national music of his homeland, Ye Yunchuan is committed to building new and ever more creative and beautiful bridges between the musical heritage of China and the musical traditions of the world. Ye Yunchuan continues to realize his vision with each new recording.
演奏成员：
小提琴：吕思清
钢琴： 盛原
Musicians:
Violin: Siqing Lu
Piano: Sheng Yuan
制作成员：
出品人：叶云川
制作人：叶云川
录音：李小沛
音乐统筹：洪定协
录音助理：王恒 鹿楠楠
中文文案：杨倩
英文文案：Joshua Cheek
摄影：小叶 史宏伟
平面设计：图图设计
录音棚：中国中央电视台480平米模拟录音棚
后期制作：德国老虎鱼 日本JVC技术中心
出品：瑞鸣音乐
Production Crew:
Producer: Ye Yunchuan
Executive Producer: Ye Yunchuan
Recording Engineer: Li Xiaopei
Repertoire Consultant: Hong Dingxie
Recording Assistants: Wang Heng / Lu Nan Nan
Chinese Copywriter: Yang Qian
English Copywriter: Joshua Cheek
Photography: Xiao Ye /Shi Hongwei
Graphic Design: Total Viewfinder
Recorded at CCTV’s 480 Sq. Meter Recording Studio
Post Production: Stockfish Records (Germany) JVC Mastering Center(Japan)
Music Published By: Rhymoi Music Co., Ltd. (China)
Produced by: Rhymoi Music. Co., Ltd www.rhymoi.com
Email:rhymoi163@163.com Tel：86-10-84831327
著作权声明：本专辑所选音乐作品俱根据中国境内刊行出版物之资料登载著作权情况，如存讹漏请与我们联络。
Copyright Statement: The music and arrangements appearing on this album have been licensed in accordance with the copyright laws of China. If there are any errors, please contact us.
封底曲目：
1.在银色的月光下
Under the Silver Moonlight
2.天黑黑
Dark Sky
3.阳光照在塔斯库尔干
Sunlight over Tashikugan
4.雨夜花
Flowers in the Rainy Night
5.思想起
Recalling the Past
6.淡水暮色
Sunset at Danshui
7.思乡曲
Song of Nostalgia
8.新春乐
Spring Celebration
9.牧歌
Grassland Madrigal
10.花儿为什么这样红
Why the Flowers are so Red
11.在那遥远的地方
In a Faraway Land
12.丰收渔歌
Fisherman's Festival Song
更多>