主标题
琵琶行·于源春
Title: The Song of the Pipa YuYuanchun
副标题
Dreams of Ancient Splendor; Sighs from a Ruined Palace
繁华吹落归旧梦 宫阙倾颓叹长安
封底广告语
铁马金戈、深宫闺怨、月夜哀婉，
歌不尽离乱苦，舞不完升平乐
回首翘望依稀梦
可叹长安无数山
A4海报广告语
行云往事铮铮激荡，遥想前尘旧梦依依
大珠小珠，嘈嘈切切
多番古今离愁别绪，前后欢喜，都付与弦、指之间
有时逍遥，有时感喟，有时伤怀
情随律动，心、音合一
琵琶曲经典与即兴融会贯通
把前世今生欢喜愁苦衷肠，一一抒怀
只留得一片清音在胸间游荡
回味绵长
不干胶广告语：
珠玉落盘回响大唐胜景
汉地胡风千年拨弄
成就华夏激越蕴章
琵琶语旧音新声拢聚
新生代演奏家抚今追昔
铿锵、典雅、优柔齐集
前后弹指造化神奇
同期录音大师李大康心血凝结录制
制作人叶云川精良制作气质小品
瑞鸣音乐，艺术经典无限传承，弘扬东方华彩乐章
前言
吟诵千古的《琵琶行》，曾令多少离人泪湿胸襟；嘈嘈切切的琵琶语，又将几番旧梦今情一一回望、诉说，断了离乱，续了前缘。新生代琵琶演奏者于源春，以琴弦作翅膀，翻飞在音乐和历史共同幻化的瑰丽意境中，前琵后琶，心意款款，循着晋唐的旧调，挥洒今时韵致，且行，且叹，且把满眼长安花尽览。
南北朝时，琵琶便由印度经龟兹传入内地，并盛行于唐朝，历久而弥新，号称“民乐之王”、“弹拨乐器首座”。汉代刘熙《释名·释乐器》记载：“批把本出于胡中，马上所鼓也。推手前曰批，引手却曰把，象其鼓时，因以为名也。”演奏时，竖抱，左手按弦，右手五指弹奏，金石铮铮的弹拨撞击声，意蕴悠长，有时如银瓶乍破水浆迸，有时如铁骑突出刀枪鸣。其名“琵”、“琶”，实际是根据演奏技法而来，“琵”是向前弹，“琶”是向后挑。曲风有“文”、“武”两类：以《十面埋伏》和《霸王卸甲》为代表的武曲，其特点是以写实和运用右手技法为主；以《月儿高》《思春》《昭君怨》为代表的文曲，其特点是以抒情和运用左手技法为主。十指尖上，跃动着凌乱的舞姿，声声慷慨激昂，刚柔并济，热情四溢，直把前尘后世拨弄一遍。其中景况，意味深远……
谛听此辑，音诗如画，情意绵绵，眼前呈现的是一幕幕清新情致：
或兀立于烟波江上，品尝瀛州古调焕发的新韵；或遥看深宫锁清秋，感叹零落的心境；或被绿袖笼住温柔，迷醉于歌舞婀娜；或看街市聒噪，身染欢腾景致；或遥望塞上漠然，天人交织……沉浸之间，惊闻渔阳战鼓震天动地，感叹马嵬坡前情深意切，哀怜世人天涯沦落。多少离乱苦，心悲切，只等弦音住，一朝繁华都付与皎皎月华，淡淡云霞。客居之苦楚，独守之孤寂，奔命之凄惶，都是滚滚离殇；乡间庆贺，春意迟迟，酒酣耳热，歌舞盈动，又满溢喜乐欢腾。激荡回响的琵琶弦音，把一腔天地悠悠都化作了闲时春愁，供人游目骋怀，悠游古今。琵琶弦动，句句感叹。杰出音乐制作人叶云川邀请中国古典音乐杰出演奏家于源春，以琵琶讲述关于历史和幻梦的故事，倾心量身打造气质专辑，中国录音大师李大康全情投入，于数百平米录音棚悉心同期录制，凝聚众家品味与心血，传达辽远的音韵，带来亲近的美感。
鲤跃龙门，鸿雁传书，青枫浦上白沙暗淡，绫罗帐下妆容缱绻，夜光杯中满盛葡萄美酒，激彻云霄的琴音，还在往时光深处逡巡。
Foreword
The title of this recording comes from one of the most famous poems from the Tang dynasty, "Pipa Xing" (琵琶行) by Bai Juyi. The poem describes a chance encounter with an aging pipa courtesan one autumn night in the year 815, after Bai himself had been banished from the capital. Once a great beauty and celebrated artist, Bai's pipa player was now the wife of a travelling merchant, pouring out her heart under the autumn moon. The poem's title has been translated "Pipa Song", "Ballad of the Pipa" or even "The Lute Girl", the Chinese character "xing" (行) in this context, describing an ancient form of narrative poetry intended to be recited with a musical accompaniment. As with many Chinese characters, “行” has many layers of meaning, including taking a walk, or a trek, an individual's conduct or behavior, or to give a performance, all of which add deeper levels of significance to Bai's moonlight encounter on the banks of the Yangtze River.
Today, the pipa is one of the most immediately recognizable and popular Chinese musical instruments; generations of virtuosos have elevated the instrument's technical capabilities to unimaginable levels of virtuosity, but its journey began on the Silk Road more than 2000 years ago when the first spiked lutes, the common ancestors of the Arabic oud, the European lute arrived in China from Asia Minor.
In the millennia since it arrived, poets have praised the pipa’s expressive power to convey every human emotion and activity from love to war; Artists have portrayed it as far back as the grottoes at Dunhuang (ca. 5th century); Women have sought solace in its plaintive sounds and priests have used it to accompany their preaching of the Buddha's message. It has been carried into the heavens by devas and into battle by soldiers.
Unlike the aristocratic qin zither, the pipa had always belonged to the entire nation, from emperors to itinerants. From China it would journey throughout East Asia, to become the Japanese biwa, the Korean bipa, and the Vietnamese dan tyba.
In its journey from foreign transplant to cultural icon, the pipa’s national status has become emblematic of the Chinese character to adopt and adapt, as evidenced in the popular idiom “to play pipa behind the back” (反弹琵琶), which is the rough equivalent of “thinking outside the box – with Chinese characteristics.”
Now, a new journey has begun and Master Sound Engineer Li Dakang and producer Ye Yunchuan invite you to join Yu Yuanchun as she explores mysterious, beautiful and poetic new worlds of sound and touches China’s ancient heartstrings.
1. 烟波江上（即兴曲）
烟波浩渺的湖面上青雾蔼蔼，落英缤纷下独立着一袭青衣。客舟待发，临别依依，一任思绪飞驰。三两音飘渺于空旷江野，未成曲调先有情，御音而行，翻飞情怀，在辽远时空忽隐忽现。
浔阳江头夜送客，枫叶荻花秋瑟瑟。
忽闻水上琵琶声，主人忘归客不发。
——白居易《琵琶行》
1. Improvisation on Yanbo Jiang Shang (On the mist-covered river)
‘A heavy fog rises from the vast waters, enveloping everything in a dim blue haze; Among the falling petals stands a man in black. Petals falling one after another suggest the proud demeanor of a virtuous matron from the opera. The boat’s departure is pending, even though it is heartrending, phantoms and fantasies rush through my brain. Ethereal sounds drift in empty space over the still waters, ‘She turned the pegs and tuned each string few times, her music flew out even before playing a note. A note of melancholy sounded as each note was played, the noble tones faltering, as they wandered to and fro. A fragmented melody in the empty stillness.’
‘Seeing off a guest by the Xunyang River,
A chill wind rustles through the maple leaves and reeds;
Suddenly, out on the water, we hear the sound of a lute;
The host forgets to turn back, the guest delays going.’
-Bai Juyi: Pipa Xing (Song of the Pipa)
2. 绿腰
作曲：杨洁明 编曲：杨春林
华堂明镜炫目，烛火生辉，鼓乐激荡屋宇。娉婷袅娜情致，款款温存，秋波流转，躲不开的明眸善睐。摇摆迤逦的身躯，疾徐参差的舞步，无限风情尽在其中。《绿腰》又名《六幺》、《录要》，为唐代著名歌舞大曲。前段优美典雅，后部急速翻旋，高潮迭起，引人入胜。全曲流畅却多变，古风盎然。
南国有佳人，轻盈绿腰舞。
——李群玉《长沙九日登东楼观舞》
2. Liu Yao (Green Waist Dress Dance)
composed by: Yang Jieming Arranged by: Yang Chunlin
‘The magnificent banquet hall is reflected in dazzling mirrors, the candles lights are brilliantly bright, the rhythmic music of the drums echoes through the building. A graceful beauty, slim and willowy, her tender emotions expressed in amorous looks and lissome poses. Her tender and gentle looks cannot be missed. Her beautiful body, and her dancing steps that combine slow and quick movements, are fascinating and charming.’
'Green Waist Dance' also known under its homophone variants 'Liu Yao', and 'Lv Yao' was a famous piece from the Tang Dynasty Daqu or "Great Suites". The dance is characterized by its elegant opening, and rhapsodic central section featuring rapid passagework before reaching an ecstatic climax. Flowing elegance and a variety of moods perfectly evoke the extravagant grandeur of an ancient courtly music.
‘There is a beauty in the South, gracefully dancing the Green Waist Dance.’
-Li Qunyu: ‘Watching a Dance in the East Building on the 9th in Changsha.’
3. 陈隋（古曲）
改编：刘德海 编曲：杨春林
清辉洒满灰砖青苔，高跃的宫墙之外，只有银蟾透出清冷的关怀。宫中高台上虽有载歌载舞的喧腾，心下却愈见悲戚。情怀深锁，只留愁怨徘徊。《陈隋》亦称《汉宫秋月》，曲调哀婉流畅，苦楚动情。
寥落古行宫，宫花寂寞红。白头宫女在，闲坐说玄宗。
——元稹《行宫》
3. Chen Sui (Moon Palace)
Traditional song Arranged by:Liu Dehai Arranged by Yang Chunlin
‘The cold silver moon, high above the palace walls shines down upon the gray, moss covered bricks. Only the moon is casting her cold and clear lights. Despite the nightly banquets with songs and dances, her heart falls into sorrow. Feelings have been locked away, leaving only grief and grudges behind.’
‘Chen Sui’, also known as ‘Autumn Moon Over Han Palace’, describes the bitterness and isolation of the palace maidens, far away from their homes and families. The piece was first transcribed by the great erhu virtuoso and educator Liu Tianhua and has since become one of the top ten most famous works of traditional Chinese music.
‘Inside the cold, hollow, ancient Resort Palace lonely,
Quiet red flowers bloom in the imperial garden.
A handful of white-hair'd courtesans, locked-in without pardon,
Sat around and talked of Emperor Xuanzong leisurely.’
-Yuan Zhen: The Resort Palace
4．安史乱（即兴曲）
金戈铁马、乱世离落。笛箫萧瑟悲切，大鼓铿锵雄壮，史诗画面动人心魄。此曲沿用琵琶传统武曲的表现方式，将中古战争场面的紧张激烈与乱世佳人的生离死别杂糅一起。马嵬坡上香消玉殒，梧桐树下玄宗愁惨。乱世情缘，只供后人传唱。
缓歌谩舞凝丝竹，尽日君王看不足。渔阳鼙鼓动地来，惊破霓裳羽衣曲。
——白居易《长恨歌》
4. Improvisation on An Shi Luan (An-Shi Rebellion)
‘Armored cavalry advance; the world is in chaos. The bamboo flute’s bleak and mournful sound; the sonorous thunder of majestic bass drums; an epic battle unfolds before us.’
In this piece we hear the pipa play in the vigorous Wuqu “martial style”, an expressive genre ideally suited to describe intense medieval battles as well as the drama of the famous concubine Yang Guofei. ‘She would find certain death under a parasol tree on the hilly slopes of Mawei, the Emperor Xuanzong wretched in his tragedy. Love in troubled times, only later to be sung about.’
Strings and pipes accompanied soft songs and slow dances.
Day after day the Emperor could not get enough of these.
One day the war drums from Yuyang came and shook the ground,
Interrupting the tune of the Rainbow Dress and Feather Gown.
-Bai Juyi: Song of Everlasting Regret
5. 瀛洲古调（选段）(古曲)
编曲：沈其昌
小月儿高
狮子滚绣球
海上蓬莱愉快的乡调，是陶陶家园熟稔的记忆。是月儿高悬的幽静夜色，是粼粼湖面草长莺飞，是欢腾热闹的节日胜景……乡情与乡愿跃动心间，撩起吾土吾民的感怀。《瀛州古调》是流传于崇明的琵琶古曲，全套有四十五首乐曲，联缀而成一副壮观的民俗风情图景。
海上生明月，天涯共此时。
——张九龄《望月怀远》
5. Excerpts from Ancient Yingzhou Tunes
Traditional song Arranged by:Shen Qichang
Xiao Yue'r Gao (The Moon is High)
Shizi Gunxiuqiu (Lion Frolicking with the Festival Ball)
‘The restful seaside township of Penglai is home to many joyful tunes and happy memories. The Moon hangs in the quiet night sky over the clear, sparkling waters; the grass is tall and the nightingales are in the air. The sounds of festive holiday revels call you… Nostalgia and melancholy wrestle in your heart. But happy memories prevail and your heart is lifted once again.’
As far back as the Ming dynasty, Shanghai had been home to numerous influential schools of pipa. One of these schools was the Yingzhou or Chongming School, (Yingzhou was an ancient name for Chongming Island located north of Shanghai). In 1916 Shen Zhaozhou published “Yingzhou Gudiao” (“Ancient Tunes of Yingzhou”), an anthology of 45 of the most beautiful pieces from the classical repertoire.
‘A bright moon is rising over the sea;
Though far apart, we are sharing this moment.’
-Zhang Jiuling: Looking At the Moon and Thinking of One Far Away
6. 行街(江南丝竹)
编曲：林石城
花红柳绿惹人沉醉，拂面清风温润舒展，撩动荡漾心旌。路程迢迢，山水远见。枝头繁华夺目，雀鸟啁啾，喜乐之意漫上眉头。脚步轻盈，凌波逶迤，满眼春光无限，更兼往来街市盛隆，一派热闹。此曲为江南丝竹八大名曲之一，慢板轻盈优美，快板热情欢快，氛围十足。
兰叶春葳蕤，桂华秋皎洁。欣欣此生意，自尔为佳节。
——张九龄《感遇》
6. Xing Jie (Promenade)
Sizhu,Jiangnan Arranged by:Lin Shicheng
‘Red Flowers and green willow trees overwhelm us and intoxicate us; warm, breezes blow, gently caressing us; it touches the lake of my heart and causes a tiny water ripple. We walk a distance to some remote place, to better view the landscape. Lush branches flourish with bright flowers, birds singing beautiful tunes. They are sharing a special moment of joy. Lightly we wander on, meandering this way and that, filling our eyes with the radiance of spring. We experience all of this together; what a lively scene.’
Xing Jie comes from the ancient repertoire of Silk and Bamboo music from the Jiangnan region of southeast China. Beginning with a graceful, airy prelude, the mood changes as three loud strikes on the opera clappers announce a cheerful Allegro that brings the piece to a vigorous, playful conclusion.
Orchid leaves are luxuriant in spring,
Osmanthus blossoms are bright in autumn.
They are thriving as such in their own lives,
Naturally become part of their seasons.
-Zhang Jiuling: Thoughts II
7. 塞上曲（选段）古曲
思春
滴泪
塞外寒意沁骨，荒草寥落星辰。怀抱琵琶犹回首，离了故国家园。往那荒漠衰草而行，此去不知经年，留下哀怨满地。《塞上曲》是琵琶传统大套文曲，乐曲倾叙王昭君在汉宫中思恋春意以及身赴胡地之后哀思故土之情，前曲欢喜萌动，后曲则悲切惆怅，凄楚缠绵。
蝉鸣空桑林，八月萧关道。出塞复入塞，处处黄芦草。
——王昌龄《塞下曲》
7.Excerpts from Saishang Qu (Frontier Song)
Traditional song
Spring Thoughts
Tear Drops
‘The damp chill penetrates to the bone as she travels under starless grassland skies.
Clutching her Pipa in her arms, she looks back at her homeland.’
‘Saishang qu’ (Frontier Song) presents a musical picture of the legendary beauty Wang Zhaojun. it is said that Wang Zhaojun left her hometown on horseback on a bright autumn morning and began a journey northward. Along the way, the horse neighed, making Zhaojun extremely sad and unable to control her emotions. As she sat on the saddle, she began to play her pipa to express her sorrow at leaving her homeland.
Cicadas complain of thin mulberry-trees
In the Eighth-month chill at the frontier pass.
Through the gate and back again, all along the road,
There is nothing anywhere but yellow reeds and grasses
-Wang Changling: “Under a Border-fortress”
8. 歌舞引
作曲：刘天华 编曲：孙晶
轻歌曼舞独具芬芳，调性随转，韵致淋漓。华彩乐章里舞影婆娑，身段盈动，摇曳生姿。《歌舞引》是刘天华先生在观赏完意大利歌剧之后，灵感突兴，作下此琵琶曲，全曲充满歌舞情调，采用传统民间乐曲常见的多段体结构，紧赶慢随，趣味无穷。
临颍美人在白帝，妙舞此曲神扬扬。
——李白《观公孙大娘弟子舞剑器行》
8. Ge Wu Yin (Song and Dance)
composed by：Liu Tianhua Arranged by:Sun Jing
‘Delightful songs and elegant dances enchant us with lilting melodies. The colorful music reaches a cadenza, as the dancing figures posture and pirouette.’
“Song and Dance” is one of three works for pipa composed by the great early 20th century composer and erhu virtuoso Liu Tianhua. It is said that Liu was inspired to write this piece as a response to having attended a performance of an Italian opera with his wife. The feeling of a lively musical dialogue and dance can be heard in the exchanges between the pipa, flute, and ruan.
‘I play my gorgeous zither with its fifty strings,
Its every flower-like fret recalls to me years long past.
The sage Zhuanzi loved the butterfly in his dreams；
The Emperor Wangdi sent his amorous heart with the help of cuckoos.’
Li Shangyin: The Lavishly Decorated Zither
9. 诉（读《琵琶行》有感）
作曲：吴厚元
浔阳江头散落沉思，波涛轻拍温润夜风。远闻隐隐琵琶琴语，随风飘荡空旷寂静。心有戚戚，余韵袅袅，倾诉一段身世飘零，天涯沦落，无限胸臆难以高歌，且由丝弦弹拨开去。此曲是吴厚元先生品味唐代大诗人白居易《琵琶行》诗意创作而成，意象与音律一同渲染着千古寂寥。
同是天涯沦落人，相逢何必曾相识。
——白居易《琵琶行》
9. Su (Lamentation on Reading Bai Juyi's ‘Song of the Lute’)
composed by: Wu Houyuan
‘Lost in thought, the waves of the Xunyang River lick the moist night air. In the distance, the faint sound of lute music is heard in the empty silence. The heart is distressed, yet the beautiful sounds rise in spirals, telling a heartfelt story: rising, falling, drifting and homeless, exiled and impoverished, the song falters in unspeakable sadness - all could be heard as she pulled her lute’s silken strings.’
‘Lamentation’ is based on the famous epic poem Pipa Xing by the Tang dynasty poet Bai Juyi. The poem tells of a woman once famous for her pipa performance in the Emperor's Court but who fell from favor and now laments her solitary existence while solemnly playing her pipa alone. The great composer and pipa player Wu Houyuan was deeply inspired by this famous poem and composed a virtuoso piece utilizing many of the pipa's distinctive characteristic techniques.
With half her face hiding behind the pipa still.
She turned the pegs and tuned each string few times,
Her music flew out even before playing a note.
Each plug on the string gave a note of melancholy…
-Bai Juyi: Pipa Xing (Song of the Pipa)
10. 月儿高 古曲
编曲：丁豆豆
浩渺夜空下，海岛冰轮初上，人间披洒皎洁迷离。海涛声声，细流涓涓；庭院幽静，田野广袤。抬头是如洗的碧空，远听有奔流的江河。全曲既有对现实世界的精致摹写，又有对月空幻境的绮丽想象。银光灼灼，诗意朦胧。
明月出天山，苍茫云海间。长风几万里，吹度玉门关。
——李白《关山月》
10. Yue'r Gao (Moon on High)
Traditional song Arranged by:Ding Doudou
‘The vast night sky… bright moonlight fills the room. The distant sound of the ocean surf, small trickling streams, secluded courtyard gardens and vast fields gardens all washed in the silver light of the moon.’
This little tone poem was first published in Shanghai in the 19th century but dates from much earlier. It is one of the most refined examples of the lyrical wenqu or “civil style” of composition and beautiful captures the poetic spirit of a moonlit night.
A bright moon rising above Tian Shan Mountain,
Lost in a vast ocean of clouds.
The long wind, across thousands upon thousands of miles,
Blows past the Jade-gate Pass..
- Li Bai: "Guanshanyue"
演奏者简介：于源春
中央民族乐团青年琵琶演奏家。开蒙于琵琶教育家周显顺夫妇，师承于李光华、樊薇教授。11岁考入中央音乐学院附小，以优异成绩一路保送入研究生，2011年获硕士学位。她的演奏清丽典雅，注重于琵琶丰富音色的展现与情感的表达。曾获2012 CCTV民族器乐电视大赛职业组总冠军、第八届中国音乐金钟奖银奖、台北民族器乐协奏曲大赛第一名和首届美国飞扬世界杯中国民族乐器国际赛金奖等殊荣。
作为一名活跃的青年琵琶演奏家，她的演奏足迹遍布世界各地，演奏形式涉及诸多领域。作为独奏或主奏演员出访过二十几个国家和地区，与多个知名乐团协奏演出。参与录制多部影视作品配乐，并多次参与中央电视台春节联欢晚会、风华国乐等节目录制；曾为中国音乐家协会及中央音乐学院的琵琶考级教材做示范演奏。
出版有琵琶独奏专辑《源·春》（人民音乐出版社），同名毕业音乐会实况DVD（天天艺术文化发展公司），中国器乐合辑《天人合一》（瑞鸣唱片）等。
Yu Yuanchun is currently pipa soloist with the Chinese National Orchestra. Yuanchun began studying the pipa at the age of 5 with the celebrated virtuoso Zhou Xianshun. In 1996 she was admitted to the primary school of Central Conservatory of Music. In 2004, she was recommended for acceptance to the Central Conservatory where she studied with Professors Li Guanghua, and Fan Wei, receiving her Bachelor's degree in 2008 and was named that year’s “Outstanding Graduate” by the Beijing Municipal Education Commission. In 2011, Yuanchun earned her Master Degree, graduating “cum laude” from the Central Conservatory of Music. Throughout her time at the Central Conservatory, Yuanchun received numerous academic awards, and was a recipient of the Fu Cheng Xian Memorial Scholarship for excellence in performance and artistic potential. On May 7, 2011, she gave her Master’s Recital, which was later recorded and released as her self-titled debut album, "Yu Yuanchun." Yuanchun has performed around the world, appearing as a featured soloist with orchestras and ensembles in the United States, Britain, Germany, France, Russia, Denmark, Cuba, and more than twenty countries and regions.
Yuanchun has earned numerous professional awards and prizes since her early days at the Central Conservatory. In 2000, 2002, and 2004 she received the TianTian Award in the National Instrument Competition from the Central Conservatory in addition to the New Music Performance Award in 2000, a Silver Medal in the first "National Youth Art Competition" for Pipa (2002), the "Wenhua Art Colleges Award" (2005), First prize in the Sixteenth Taipei Folk Instrumental Concerto Competition (2009), a Silver Medal in the Eighth China Music Golden Bell Awards (2011), and a championship ranking in CCTV Folk Instrument TV Competition (2012). She has performed on many CCTV Spring Festival Gala broadcasts and has appeared as an UNESCO invited artist.
Published works:
"Yu Yuanchun", Pipa solo album published by the People's Music Publishing House;
"One with Nature", Featured soloist on environmental/concept album CD published by Rhymoi.
录音师简介：李大康
中国传媒大学影视艺术学院教授、一级录音师、中国录音师协会理事。
青少年时期学过琴、插过队、当过兵。1976年从部队复员到中国唱片社，从事录音工作。后又在北京广播学院录音艺术专业进修，是国内最早从事立体声及环绕声的录音师之一，曾任中国唱片总公司录音技术部主任。2003年调入北京广播学院，担任教学与科研工作。
从事录音工作三十多年，以认真负责、严谨细致的工作作风和全面扎实的录音技术以及丰富的录音实践经验著称，与众多艺术团体及艺术家合作，录制了上千个节目，并形成了自然、纯朴、细腻的音响风格。主要获奖作品有《清明上河图》获亚广联 “放送基金大奖”；《台湾幻想曲》获法国“戛纳”唱片展大奖；其它有影响的作品有李谷一等歌唱家和马思聪、李焕之等新老一辈作曲家的专辑。曾多次录制文化部春晚等国家级大型文艺演出。
Sound Engineer:
Li Dakang, Currently serving as senior professor of film and television arts at the Communication University of China, sound engineer Li Dakang is among China’s most respected veterans of the media arts as well as an esteemed educator and venerated mentor for young professionals.
Li began his work in 1976. Working first for the China Recording Association and later, accepted to the Beijing Broadcasting Institute of Recording Arts professional development program, Li became a pioneer in China’s nascent stereo and surround technologies and would soon become director of Recording Technologies for the China Recording Corporation.
With more than 30 years experience in the recording industry, Li is highly esteemed for his serious and meticulous work ethic, his breadth of knowledge of the latest technologies and his wealth of practical experience in working with a wide variety of musical styles.
Li has received numerous professional and international accolades, and is the senior sound engineering consultant for the Spring Festival Gala.
制作人简介:叶云川
音乐制作人, 美国格莱美协会会员 , 创立中国声誉卓著的音乐品牌“瑞鸣音乐”，并任制作人，中国金唱片奖最佳音乐人特别奖获得者。从事音乐创作、制作多年，获海内外重要音乐媒体高度评价，部分作品被海外唱片公司收录出版，所制作的音乐作品在高端音乐市场得到较大认同，并远销海外，销售成绩斐然。担任制作人的唱片及音乐作品曾多次获“美国独立音乐大奖”“中国金唱片奖”“中华优秀出版奖”“华语音乐传媒大奖”等百余个奖项，在中国城市广播联盟评选“中国十大发烧唱片”中数次入选，作品多次入选“CD圣经”等海内外专业评比。因多年与国际音乐制作及出版行业的密切合作经历，音乐创作理念及制作手段具有国际化的开阔视角。
音乐创作思路坚持独特创新，风格多样，追求品质，积极进取，注重作品文化性艺术性，在行业中具有鲜明特点。倾力于挖掘发扬中国传统文化与音乐的结合，擅长用世界音乐语言及方式表现中国音乐。对中国传统文化及民族音乐有着深厚的感情，并立志成为中国民族音乐与世界文化交流的传递者。
About the Producer:
Ye Yunchuan，Producer, composer, arranger, graphic designer, Grammy member, and the founder of one of China’s most prestigious audiophile recording labels, Rhymoi Music, Ye Yunchuan is further distinguished as the first Full Voting Member of the American Grammy Awards (The National Academy for Recording Arts and Science – NARAS) representing the Chinese music industry. He is, without any question, one of the rising stars in China’s growing music industry. Prior to his current activities, Ye established an international reputation, as a composer and producer, being awarded several American Independent Music Awards, Chinese Golden Album Awards, numerous rave reviews in CD Bible (China) in addition to being included on China City Radio Association’s “Ten Hottest Albums” roundup. Years of cooperation with international music production and publication circles has provided him with a truly global perspective. As founder of his own recording label, Rhymoi Music, he is committed to establishing new standards of excellence for recorded music in China. Rhymoi Music recordings are immediately identifiable - with their innovative approaches to programming, world-class musical and artistic standards, beauty of presentation and packaging, cultural relevance, and their conscious desire to introduce the treasures of Chinese music to an international audience - Rhymoi Music is without peer. With his deep commitment to the traditions and national music of his homeland, Ye Yunchuan is committed to building new and ever more creative and beautiful bridges between the musical heritage of China and the musical traditions of the world. Ye Yunchuan continues to realize his vision with each new recording.
演奏成员：
琵琶：于源春
笛子：丁晓逵
笙：吴学伟
二胡：詹丽君
阮：张艳秋
打击乐：李子系
大提琴：杨长缨
低音提琴：张小笛
Musicians:
Pipa: Yu Yuanchun
Flutes: Ding Xiaokui
Sheng: Wu Xuewei
Erhu: Zhan Lijun
Ruan: Zhang Yanqiu
Percussion: Li Zixi
Cello:Yang Changying
Double bass :Zhang Xiaodi
制作成员：
出品人：叶云川
制作人：叶云川
艺术指导：樊薇
录音：李大康
录音助理：唐舒岩 周信怡 闫乔锋
中文文案：稼耕
英文文案：Joshua Cheek 李秋暉
制作统筹： 黎江 常虹
市场统筹：刘军 张威
平面设计：郭萌
录音棚 ：中国解放军军乐团录音棚
出品：瑞鸣音乐
Production crew:
Producer: Ye Yunchuan
Executive Producer: Ye Yunchuan
Director: Fan Wei
Recording Engineer: Li Dakang
Recording Assistant: Tang Shuyan Zhou XInyi Yan Qiaofeng
Chinese Copywriter: Jia Gen
English Copywriter: Joshua Cheek Li Qiuhui
Production Coordination: Li Jiang, Chang Hong
Market Coordination: Liu Jun, Zhang Wei
Insert Design: Guo Meng
Recording Studio: China PLA Military Band Recording Studio
Produced by: Rhymoi Music. Co., Ltd www.rhymoi.com
Email:rhymoi163@163.com Tel：86-10-84831327
著作权声明：本专辑所选音乐作品俱根据中国境内刊行出版物之资料登载著作权情况，如存讹漏请与我们联络。
Copyright Statement: The music and arrangements appearing on this album have been licensed in accordance with the copyright laws of China. If there are any errors, please contact us.
封底曲目：
1. 烟波江上 （即兴曲） 2:37
Improvisation on Yanbo Jiang Shang (On the mist-covered river)
2. 绿腰 4:36
Liu Yao (Green Waist Dress Dance)
3. 陈隋 6:22
Chen Sui (Moon Palace)
4. 安史乱 （即兴曲） 7:29
Improvisation on An Shi Luan (An-Shi Rebellion)
5. 瀛洲古调 （选段） 4:30
Excerpts from Ancient Yingzhou Tunes
6. 行街 6:16
Xing Jie (Promenade)
7. 塞上曲（选段） 6:24
Excerpts from Saishang Qu (Frontier Song)
8. 歌舞引 5:08
Ge Wu Yin (Song and Dance)
9.诉（读琵琶行有感） 8:10
Su (Lamentation on Reading Bai Juyi's Song of the Lute)
10. 月儿高 6:53
Yue'r Gao (Moon on High)
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