月儿弯弯照九州
The Crescent Moon Illuminates the World
一场吉他与管弦乐的旖旎之约 一次东西方音乐传统的双重邂逅
A chance encounter between guitar and orchestra, between East and West
明月皎皎，流光回转，清泻于星辰云阵之间，弥散于晚风的呢喃低语，轻抚迷醉之梦的窗棂。以最充盈的诗意幻想，酿制一壶温暖人心的甘醇；以永世春华，编织一曲韵象斑驳的华彩乐章；在如雾如梦，若夜半也似天明的时分。
千百道光影，于微暝之间变幻徘徊，曲折投射于蒙尘的记忆画布，执印象主义的朦胧笔触，以时而暗淡时而鲜丽的色调，行迹复生那些如歌咏般将会在经年岁月之中被永远传颂的闪耀瞬间。是初折之鲜花，插于盛会中少女的发梢，清新馥郁，余芳弥久不散，消融于时光的杯盏。是仲夜相依的旋舞，在朱夏之桂月，将永不熄灭的恋之烛焰，在心扉点燃。笙歌醉梦里，任由多少欣悦、甜蜜、浓情、怀望与眷念，沁溢心田。
让灵魂逐风，穿行于韶光化雨的青翠山野，漂泊于驼铃微摇的黄尘沙埃，跋涉在银光熠熠的寒冰冻土，找寻印记于雪花纹理之中的千年诗篇。倾听以青春镌刻的不朽传奇，在时代流转的茫茫沧海之中不断涅槃重生，周而不息。重回那夏末的晨曦中，轻折一朵《可爱的玫瑰花》，感怀往昔情浓意浓，追忆那巧笑倩兮，比初绽的鲜花更明丽动人的少女《曲蔓地》，将沉郁于晓夜中的《思念》，化为一曲《阿里郎》，承载了多少荡气回肠的离合悲欢。
倘若说人世间皆是因缘际会，人与人的相聚是缘，人与曲的相知是缘，那么这场中国民谣与西方音乐之间的乐与乐的相逢、碰撞，更是充满着惊喜和愉悦的奇缘吧。纵使横跨欧亚大陆两端，穿越丝路漫漫，在西乐弦曲的妆点下换了旧貌新颜，那些曾在九州大地被家传户晓的乡谣韵律，依然悸动着弯弯月儿映照下有情之人的心怀。民谣短，岁月长，以六弦赋深情，奏出最醇美缠绵的记忆之声。
瑞鸣音乐制作人叶云川此次再造旖旎丝路，远赴欧洲历史名城斯图加特，诚邀德国作曲家，以世界三大乐器之一的古典吉他为主奏乐器，以西洋音律重制中国民谣乐调，再精选德国指挥、演奏家及录音师完成整张专辑的同期录音。更邀请获得格莱美十四次奖项的录音大师精心混音，此举正意欲以华夏音乐文化之精粹碰撞欧洲音乐版图，令更多的民族音乐瑰宝能如那朵普契尼笔下纯洁白澈的“茉莉花”般盛放于海外。录音现场每一分钟都充满趣味和碰撞，在录音棚里，为加深德国音乐人对东方艺术的情感理解，叶云川会载歌载舞讲述起乐曲背后的中国各民族民间浪漫传说，如同一位来自东方古国的马可波罗，带领众人展开声色斑斓的音乐奇想之旅。
千年来，吉他这种音色细腻丰富，即可燃情溶火，也可纯朴真挚的弹拨乐器，都是民间歌谣和罗曼史的最佳演绎者。1790年，德国人在吉他发展史上写下了最为浓墨重彩的一笔，为其加上了第六根弦并重新定音，让这种古老的乐器形式真正以古典六弦琴的姿态迎来了全盛时期。在本张专辑中，德国乐手演奏的吉他时而以清澈明亮的音色紧拉慢唱地扮着独角戏，时而又暗亮通透地嬉游在小型管弦乐队的重奏之中，功力非凡，诗意盎然，再调之以灵动俏皮的打击乐组，让这些耳熟能详的中国民谣旋律在严谨的德国古典文化里趣味盎然。十二首乐曲闲庭信步徐徐展开，或清丽素朴，或纷繁绚烂，或深沉隽永，绘写出一幅万里江山意蕴天成美不胜收的印象音诗画卷。
一生一梦里，寻一伙相识，寻一曲知音。短小悠扬的民谣词调，自千山万水启程，途径天暮云暮，风月重重，以最旖旎烂漫的崭新姿态，将这曼妙乐声中的缠绵慕情，带到迢遥的异域他乡。惊鸿一瞰间，身未动，乐已远，待君回眸，情花万种，光阴无数。
Foreword:
In the clear, bright moonlight, time passes like an unending stream, as the stars watch unblinking from above, and from below a whisper of a wind picks up, gently stroking the windowpane between dream and reality. A bountiful imagination can warm the soul as well as a jug of mulled wine; from boundless youth can be woven an aria that will last for eternity; and a dream shrouded in uncertainty can be at times like the pitch black night, at others like the peak of day.
A thousand daggers of light flicker across the horizon at the last moments of evening, angling across the tattered canvas of memory. An impressionistic brush languidly casts strokes which vary between stark and dull, tracing over those glorious moments that will live on forever like the epics of old. The first flower of spring, held in the flowing hair of the young girl, the scent of its petals seeming to fill the world, as if not even time could extinguish it. A dance in the early dusk, at the height of summer, a candle of love burning inside the heart, growing only stronger. Dreams like the song of the reed flute, full of joy, tenderness, passion, hope and longing, overpowering all else.
One’s soul must be carried on the wind, drifting through the lush, verdant valleys, across the vast, barren deserts, over the peaks glistening with icy rock, before finding that which will become one’s own epic poem that will last through the ages. Listen to the immortal legends of youth, as they are constantly reincarnated throughout the oceans of time, ever undying. Revisit the evening of that summer, when the Lovely Rose was first discovered, its scent as vivid as the memory itself, the only thing more lovely being that perfect smile of the Melody of All the Land. Succumb to the Longing of the deep night, and let it out in a song of Arirang, the joys and sorrows of all times past coursing through your veins.
If one were to agree that our lives are series of predestined events, those whom we meet are our destiny, the songs we hear are our destiny, then this compilation, which presents an encounter between folk songs of China and music from the West, full of joy and surprises, would certainly be considered a most serendipitous event. From the east coast of the Eurasian continent to the west, along the stretches of the Silk Road, musical instruments from the Occident bring a novel charm to these tunes that have been sung by all ages through countless years, their tales of affection shining as brightly and eternally as the harvest moon. A small song to express a vast expanse of memory, six strings to give voice to the most beloved recollections.
For the recording of this album, Rhymoi Music producer Ye Yunchuan travelled to the far reaches of Europe, to the historical city of Stuttgart, Germany, where he invited German composers and artists of the classical guitar, one of the three great instruments of the world, to provide the main performances, and invite Grammy awards fourteenth studio master mix well，to create this Western-influenced version of classic Chinese folk songs, as well as a German team of conductors, instrumentalists and recording artists to complete the album’s live recording and mixing. Ye Yunchuan’s goal with this project is to fuse the essence of Chinese music with the spirit of Western music, granting the opportunity to a greater number of Chinese works to enjoy recognition similar to Puccini’s version of “Jasmine Flowers”. Every minute of the live recording sessions was an adventure in musical experimentation, and in order to help the German artists grasp the emotionality of the previously unfamiliar Chinese songs, Ye Yunchuan would vividly recount the many stories upon which the songs were based, much like the Marco Polo of old returning to Europe with tales of the fantastic to share with his compatriots.
For hundreds of years the guitar has captivated listeners with its sound that can be as passionate as molten magma, or as graceful as a young maiden, allowing it to express an astonishing array of emotions and stories. In 1790, Germany penned an important chapter in the history of the guitar, adding the sixth string and retuning the notes, pushing this ancient instrument to the pinnacle of its development. On this compilation, the guitars of the German musicians are at times resonant and terse solos, at others they playfully intertwine with the string and wind instruments, but always exceptionally skilful and epic, and when combined with the lively percussion section, these popular Chinese folk tunes become fused with the precision of classic German culture for a final product which is fascinating to say the least. The 12 songs included on the album unfold before the listening in an impressive range of expressive prowess, from the simplistic and austere, to the complex and mesmerizing, to the deep and meaningful, presenting a poetic panorama of incredible proportion.
Life may be but a dream, in which we seek someone who truly understands us, a song that truly speaks to us. These folk songs, in all their brevity, herald the tales of insurmountable peaks and unforgiving waters, of winds and moons that never linger but never cease to be. These interpretations of timeless classics allow their stories to be seen in a new light, by a new generation. In a blink of an eye a person may be gone, their song remaining forever, their memory clouded by time but never completely shrouded.
作曲家简介：
About the composer:
Adrian Sebastian Werum
Composer,Conductor,Pianist
Adrian Werum is the founder, composer and conductor of the “Global Symphony"(“Orchester der Kulturen") which he founded 2010 in Stuttgart / Germany. It is the only orchestra worldwide which combines the classical symphony with a high class rhythm section and ethnic instruments from all over the world. He is the original Music Director of Roman Polanski's musical adaption of “Dance of The Vampires"and premiered it on Broadway. His operetta “Hollywod Diva" plays since 2014 to sold-out crowds at the operetta theater in St. Petersburg and was voted Russia's best new show in 2016. He is also “Composer in Residence" at the Park Avenue Synagogue in New York City. His collaboration with tenor Jay Alexander,"Geh aus mein Herz", a CD with new symphonic orchestrations of traditional church hymns made it twice to number 1 of the german classic charts in 2015. Right now is working on the finishing touches of a new musical with refugees from the Middle East and his “Orchester der Kulturen" and a new Punk opera for Zurich/ Switzerland.
音乐演奏及录制成员 (The performers):
吉他独奏/ Guitar ( Solist )：Daniel Stelter
首席小提琴/ Violin I ( Concertmeister )：Ulrich Zimmer
小提琴I/ Violin I：Klaus Marquardt
小提琴II/ Violin II：Cornelia Lörcher-Breuninger
小提琴II/ Violin II：Kathrin Bscheidl
中提琴/ Viola：Annette Hartmann
中提琴/ Viola：Martin Höfler
大提琴/ Violoncello：Constantin Meier
大提琴/ Violoncello：Christiane Alber
倍大提琴/ Contrabass：Christoph Weigold
长笛/ Flute：Amanda Chominsky
单簧管/ Clarinet：Theresa Fritsche
双簧管/ Oboe：Timea Megyesi
小号/ Trumpet / Flugelhorn：Gerhardt Mornhinweg
圆号/ Horn：Anja Huber
扬琴/ Hackbrett：Andreas Kerber
中音吉他/ Resonanz & Bariton guitar：Tilmann Höhn
土耳其笛/Duduk：Taylan Acar
马头琴/呼麦/长调/ Morin Khhur,Ober & Untertongesang: Enkhjaral Dandarvaanchig
打击乐/Percussion： Peter Hartmann/ Debora Vilchez
作曲/指挥/钢琴/ Composer,Conductor,Pianist：Adrian Werum
执行制作人/ Executive Producer：Eva Bauer-Oppelland
录音工程师/ Recording：Johannes Wohlleben
混音/ Mixing Engineer：Richard King
录音助理/ Recording Assistant：Christopher Plaschke, Michel Schulze
混音助理/Mixing Engineer Assistant：Yu Fei Ma Peifeng
录音工作室/ Recording Studios：Bauer Studios, Ludwigsburg ,Germany
制作成员：
出品人：叶云川
制作人：叶云川
制作统筹：黎江
中文文案：赵子涵
英文文案：安仁良
摄影： 小叶
视觉设计：晓航
市场统筹：刘军 张威
美术统筹：Velin
后期协助：唐舒岩
监听设备使用：OPPO影音产品
105D 蓝光播放机
Sonica Wi-Fi音箱
PM-2 平面振膜耳机
出品：瑞鸣音乐
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