- 序号歌曲歌手专辑时长
- 102:25
J.J. Johnson
长号可以说是最难适应变化快速的bebop。但是神乎其技的J.J JOHNSON克服重重难题，证明了自己可以用这种别人看来笨重的乐器，也可以这样快速，而且对细节又可以加以精准的处理。他的表现让人们对长号另眼相看，不仅获得广大的乐迷，也受到乐评的欣赏。J.J JOHNSON 9岁的时候向教堂的管风琴师学习音乐，到了中学时对音乐非常有兴趣，当时他最能接近的是低音萨克斯风，在15岁时选择了长号。1940年与BennyCarter和Coun Basie的大乐团做巡回演出，此时他也常在当时纽约市的五十二街的俱乐部做演奏。他也曾参与Miles Davis的几张经典唱片的录音。50年代初期曾短暂退出乐坛，1954年再与Kai Winding的伍重奏演出，他们之间密切的合作，专集Jay and Kai （Sony唱片）就是非常出色的作品。J.J JOHNSON 在作曲方面的表现也是很出色的。60年代时他开始代自己的乐团时，才专心开始作曲的工作。1970年他来到加州定居，也为电视和电影作了不少曲子，他也一直保持自己的高质的品味。J.J JOHNSON 对歌曲的细节有相当的敏锐度，这是为何他会受到如此重视的另一个主要原因之一。J.J JOHNSON 是位伟大的爵士长号大师，为长号领域做出巨大贡献。被誉为“伸缩号之王”。
J. J. Johnson (born James Louis Johnson; January 22, 1924, Indianapolis, Indiana – February 4, 2001) was a United States jazz trombonist, composer and arranger. He was sometimes credited as Jay Jay Johnson.
Johnson was one of the first trombonists to embrace bebop music. He has long been regarded as one of the leading trombonists of the post-swing era, exerting a pervasive influence on other jazz musicians.
更多>J. J. Johnson (born James Louis Johnson; January 22, 1924, Indianapolis, Indiana – February 4, 2001) was a United States jazz trombonist, composer and arranger. He was sometimes credited as Jay Jay Johnson.
Johnson was one of the first trombonists to embrace bebop music. He has long been regarded as one of the leading trombonists of the post-swing era, exerting a pervasive influence on other jazz musicians.
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